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Black Art and Culture in the 20th Century by 
Within the Landscape by
During the nineteenth century, American artists, writers, and philosophers collaborated in the formation of a culture devoted to the country's natural splendors and the meanings these might harbor for its citizens. Arguably, the earliest and most influential of such pictorial and literary mergings took place in the Hudson River School, the subject of the essays gathered in this volume from the Trout Gallery of Dickinson College. The artists and writers discussed in this anthology range from Thomas Cole, the founder of the Hudson River School, to Stanford Gifford and Washington Irving. After an introduction to American landscape, the essays treat notions of divine presence in nature, the spread of imagery through prints, and the transformation of the Catskills into "a resort and a refuge." Offering innovative scholarship in accessible language, Within the Landscape lends itself to use as a textbook in courses on nineteenth-century American art and culture.
Native American Voices on Identity, Art, and Culture by
The dynamic discourse stimulated by 78 magnificent objects created by Native Americans over the years, now housed in the University of Pennsylvania Museum of Archaeology and Anthropology, and the responses of contemporary Native Americans to those objects forms the core of this book. As seen in these vibrant pages, the Museum is not a place of dead objects from the past. It is, rather, a place of people and ideas about human societies and cultures, a place of living, active objects, a place where the present can connect to the past. The volume editors frame important issues and concepts--the nature of Native American identity in the past and present, indigenous sovereignty, the active destruction of Native American cultures and languages over the past half-millennium, along with their perseverance and strength to survive, and, finally, the power of ancestors. As Richard M. Leventhal, the Museum's Williams Director, notes in his Foreword, the Native American scholars and artists who contribute to this book are assisting the Museum in its attempt to become a more integral part of today's world. It is the preservation of ideas embodied within objects from the past and present that allows for the representation and strength of Native American identity.
The American Century by
The American Century is the subject of a year-long exhibition at the Whitney Museum ? the most comprehensive display of twentieth-century American art ever assembled, incorporating a wide range of masterpieces from all sections of the country, by both familiar and lesser-known artists. This volume, covering the first half of the century, is a history of American art as well as a permanent record of the Whitney show. Here fine arts achievements are seen as part of the larger culture that helped shape them ? the art forms of film, dance, music, literature, photography, decorative arts, architecture, fashion, and industrial design. All are described and set in the context of political and social currents of the era in Barbara Haskell's rich and informative text. Essays by noted experts in many fields illuminate developments in different areas of artistic endeavor while over 750 full-color and duotone illustrations give visual testimony to America's dominant role in the arts.
The Making of the Humanities by
The first step towards the development of a comparative history of the humanities.