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Digest by
Winner of the Pulitzer Prize for Poetry (2015) From Epicurus to Sam Cooke, the Daily News to Roots, Digest draws from the present and the past to form an intellectual, American identity. In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father's eyes and through their own.
Walt Whitman: Poetry and Prose (LOA #3) by
This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson's famous message to Whitman: "I greet you at the beginning of a great career." These twelve poems, including what were later to be entitled "Song of Myself" and "I Sing the Body Electric," and a preface announcing the author's poetic theories were the first stage of a massive, lifelong work.
The Collected Poems of Langston Hughes by
A complete anthology of the poetry of Langston Hughes presents 860 poems that capture the rhythms, emotions, cultural significance, and political awareness of African-American life, from his earliest works to his final collection.
The Collected Poems by
This collection contains 224 poems, including a selection of her very earliest work. Also use: Crossing the River (1971), a volume that contains the poet's last works.
The Poetry of Robert Frost by
The definitive volume of the complete poetic works of Frost.
Night Sky with Exit Wounds by
One of the most celebrated poetry books of the year: The New Yorker, The Best Books of Poetry of 2016 New York Times, Critics Pick Boston Globe, Best Books listing NPR, Best Books listing Miami Herald, Best LGBTQ Books San Francisco Chronicle, Top 100 Books of the Year Library Journal, Best Books of 2016 Michiko Kakutani in The New York Times writes: "The poems in Mr. Vuong''s new collection, Night Sky With Exit Wounds...possess a tensile precision reminiscent of Emily Dickinson''s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong''s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." "Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."--The New Yorker "The language is painfully, exquisitely exact, the scenes haunting and indelible.... Highly recommended."--Library Journal, starred review "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."--Buzzfeed''s "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world."--2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."--LitHub "Vuong''s powerful voice explores passion, violence, history, identity--all with a tremendous humanity."--Slate "In his impressive debut collection, Vuong writes beauty into--and culls from--individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity."--Publishers Weekly Torso of Air Suppose you do change your life. & the body is more than a portion of night--sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side-- waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A Ruth Lilly Fellow and winner of the Whiting Award, Ocean Vuong lives in New York City.
The Collected Poems of Emily Dickinson by
This collection of Emily Dickinson's work contains 444 of the nearly 1,800 poems that the prolific yet reclusive American poet privately penned during her lifetime. Although her bold and non-traditional writing style met with mixed reviews when first published, Dickinson is now considered one of America's greatest poets. Included here are such famous poems as "Because I could not stop for Death", "I'm nobody! Who are you?", and "Hope is the thing with feathers". Themes of love, loss, death, and immortality imbue Dickinson's work with a timeless quality; her unconventional poetry continues to provide insight into the human condition. This is an unabridged compilation of three series of Dickinson's poetry edited and published by her friends after her death--the first series in 1890, the second in 1891, and the third in 1896.
The Country Between Us by
The book opens with a series of poems about El Salvador, where ForchE worked as a journalist and was closely involved with the political struggle in that tortured country in the late 1970's. ForchE's other poems also tend to be personal, immediate, and moving. Perhaps the final effect of her poetry is the image of a sensitive, brave, and engaged young woman who has made her life a journey. She has already traveled to many places, as these poems indicate, but beyond that is the sense of someone who is, in Ignazio Silone's words, coming from far and going far.
Newdick's Season of Frost by
In 1935 Professor Robert Newdick of Ohio State University wrote to Robert Frost—already America's most famous living poet—in order to suggest certain revisions in the arrangement of the poet's collected poems. The brief letter was to begin a relationship of nearly five years (ending only with Newdick's untimely death in 1939) in which Newdick assiduously gathered materials from a wide variety of sources for a projected (but not “authorized”) Frost biography. Although only part (about 100 pages) of the biography was actually written, Newdick left behind him several files of factual data, as well as observations and comments by Frost and by many people who knew him. These materials have not heretofore been published, nor were they used in any subsequent biography.In the present volume William A. Sutton brings together Newdick's partial biography with his various notes and letters, adding a narrative of the Frost-Newdick relationship which sheds new light on the poet and on the identity of poets. With Newdick, as with subsequent researchers, the fiction-making Frost was often playing a game of hide-and-seek so that he would never be completely “found out” as a mere empirical datum, although there is evidence that his candor with Newdick was at times greater than it would be in later years. Newdick, a perceptive admirer of Frost's poetry, had to struggle with his own realizations of such Frostian characteristics as secretiveness, ambivalence, and capriciousness, and so the book reveals a great poet who could be both generous and arch, a professor relentless in his search for information, a famous man fitfully bothered, then amused by a young academic's earnest efforts on his behalf, and a biographer devoted to, but at times exhausted by, the demands of his biographical subject. Frost appears as one who thought of both biography and biographer as “attractive nuisances.”The original materials brought together here manifest, therefore, both a kind of biography, and a chronicle of the act of biography, a fresh look at the creative personality, and a running account of how a biographer attempts to bring such a personality into focus.William A. Sutton taught English at Ball State University. His books include Carl Sandburg Remembered; The Road to Winesburg: A Mosaic of the Imaginative Life of Sherwood Anderson; and Letters to Bab: Sherwood Anderson to Marietta D. Finley, 1916–1933.
The Emily Dickinson Handbook by
Here for the first time, students of Emily Dickinson can find a single source of accurate, up-to-date information on the poet's life and works, her letters and manuscripts, the cultural climate of her times, her reception and influence, and the current state of Dickinson scholarship. Written by a distinguished group of contributors from the United States and abroad, the twenty-two essays in this volume reflect the many facets of the poet's oeuvre, as well as the principal trends in Dickinson studies.
Sylvia Plath by
This is the first full-length biography of Sylvia Plath, whose suicide in made her a misinterpreted cause celebre and catapulted her into the ranks of the major confessional voices of her generation.
Poetry by
Quickly equips readers with the strategies to understand and deepen their engagement with individual poemsPraise for the first edition: 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.'Duncan Wu, University of Glasgow Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. o Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agardo Detailed index of poets, works, terms, forms & conceptso Full glossary of poetic terms, from /acatalectic/ to /wrenched accent/, with cross-references and page references of examplesNew for this edition:o End-of-chapter exercises and follow-up research taskso New readings of modern women's poetryo Section on How to Write Poetry with exerciseso Suggestions for further reading - both books and websites
Live Poetry by
Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry's evolution through its current 'spoken word' renaissance.
Poetry as Survival by
Intended for general readers and for students and scholars of poetry, Poetry as Survival is a complex and lucid analysis of the powerful role poetry can play in confronting, surviving, and transcending pain and suffering. Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences. As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.